![]() Although many scholars have written on the region’s mainstream film industry, few among them have noted the contribution of women pioneers – both in the field of representation and in highlighting the importance of women-centric stories. ![]() And yet, while uniquely observant, Southasia’s cinematographic gaze often objectifies women, representing them as transcendent symbols of imposed standards and expectations. This is one of the biggest film industries in the world, and today it has transformed into iconic categories of its own. The past several decades of Southasian cinema have introduced technicolour spectacle, summoning vivid evocations of romance, action and history.
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